Takeshi Kitano

Takeshi Kitano (北野 武, Kitano Takeshi; born 18 January 1947), also known as Beat Takeshi (ビートたけし, Bīto Takeshi) in Japan, is a Japanese comedian, actor, and filmmaker. While he is known primarily as a comedian and TV host in his native Japan, he is better known abroad for his work as a filmmaker and actor as well as TV host.

During his time as a student at Meiji University, he became a comedian at the strip theater France-za in Asakusa, Tokyo. In 1973, he formed a comedy duo called Two Beat with Kiyoshi Kaneko, who later became Beat Kiyoshi. Kitano adopted the stage name Beat Takeshi. Riding the wave of the comedy boom, he gained popularity with satirical and sharp-tongued black humor. In the 1980s, he appeared in TV shows such as Oretachi Hyōkin-zoku which recorded the highest viewership rating of 29.1%, and Takeshi's Castle which recorded 24.7%, becoming explosively popular on television. He gained recognition as an actor in director Nagisa Ōshima's film Merry Christmas, Mr. Lawrence (1983). In 1989, he made his directorial debut with the film Violent Cop after Kinji Fukasaku stepped down. He won the Golden Lion at the Venice Film Festival for his film Hana-bi (1997), becoming the third Japanese director to receive this honor after Akira Kurosawa and Hiroshi Inagaki. In October 2017, Kitano completed his Outrage crime trilogy with the release of Outrage Coda. He is also known internationally for hosting the game show Takeshi's Castle (1986–1990) and starring in the film Battle Royale (2000).

He has received critical acclaim for his idiosyncratic cinematic work, winning numerous awards with Japanese film critic Nagaharu Yodogawa having once dubbed him "the true successor" to influential filmmaker Akira Kurosawa. Many of Kitano's films are dramas about yakuza gangsters or the police. Described by critics as using an acting style that is highly deadpan or a camera style that approaches near-stasis, Kitano often uses long takes during which little appears to be happening, or editing that cuts immediately to the aftermath of an event. Many of his films express a bleak worldview, but are also filled with humor and affection for their characters.