Rod Steiger

Rodney Stephen Steiger ( STY-gər; April 14, 1925 – July 9, 2002) was an American actor, noted for his portrayal of offbeat, often volatile and crazed characters. Ranked as "one of Hollywood's most charismatic and dynamic stars", he is closely associated with the art of method acting, embodying the characters he played, which at times led to clashes with directors and co-stars. In films, he starred as Marlon Brando's mobster brother, Charley, in On the Waterfront (1954); the title character, Sol Nazerman, in The Pawnbroker (1964), which won him the Silver Bear for Best Actor; and as police chief Bill Gillespie, opposite Sidney Poitier, in the film In the Heat of the Night (1967), which won him the Academy Award for Best Actor.

Steiger was born in Westhampton, New York, the son of a vaudevillian. He had a difficult childhood, running away from home to escape an alcoholic mother at the age of 16. After serving in the South Pacific during World War II, he began his acting career with television roles in 1947, and went on to garner critical acclaim for his portrayal of the main character in the teleplay "Marty" (1953). He made his stage debut in 1946, in a production of Curse You, Jack Dalton! at the Civic Repertory Theatre of Newark, and subsequently appeared in productions such as An Enemy of the People (1950), Clifford Odets's Night Music (1951), Seagulls Over Sorrento (1952), and Rashomon (1959).

Steiger made his film debut in Fred Zinnemann's Teresa in 1951, and subsequently appeared in films such as The Big Knife (1955), Oklahoma! (1955), Jubal (1956), Across the Bridge (1957), and Al Capone (1959). After his performance in The Pawnbroker in 1964, in which he played an embittered Jewish Holocaust survivor working as a pawnbroker in New York City, he portrayed an opportunistic Russian politician in David Lean's Doctor Zhivago (1965). In the Heat of the Night (1967) won five Academy Awards, including Best Picture and Best Actor for Steiger, who was lauded for his performance as a Mississippi police chief who learns to respect an African-American officer (Poitier) as they search for a killer. The following year, he played a serial killer of many guises in No Way to Treat a Lady.