Charles Bronson

Charles Bronson (born Charles Dennis Buchinsky; November 3, 1921 – August 30, 2003) was an American actor. He was known for his roles in action films and his "granite features and brawny physique". Bronson was born into extreme poverty in Ehrenfeld, Pennsylvania, a coal mining town in the Allegheny Mountains. Bronson's father, a miner, died when Bronson was young. Bronson himself worked in the mines as well until joining the United States Army Air Forces in 1943 to fight in World War II. After his service, he joined a theatrical troupe and studied acting. During the 1950s, he played various supporting roles in motion pictures and television, including anthology drama TV series in which he would appear as the main character. Near the end of the decade, he had his first cinematic leading role in Machine-Gun Kelly (1958).

Bronson had sizeable co-starring roles in The Magnificent Seven (1960), The Great Escape (1963), This Property Is Condemned (1966), and The Dirty Dozen (1967). Bronson also performed in many major television shows, and was nominated for an Emmy Award for his supporting role in an episode of General Electric Theater. Actor Alain Delon (who was a fan of Bronson) hired him to co-star with him in the French film Adieu l'ami (1968). That year, he also played one of the leads in the spaghetti Western, Once Upon a Time in the West (1968). Bronson continued playing leads in various action, Western, and war films made in Europe, including Rider on the Rain (1970), which won a Golden Globe Award for Best Foreign Language Film. During this time Bronson was the most popular American actor in Europe.

After this period, he returned to the United States to make more films, working with director Michael Winner. Their early collaborations included Chato's Land (1972), The Mechanic (1972) and The Stone Killer (1973). At this point, he became the world's top box-office star, commanding a salary of $1 million per film. In 1974, Bronson starred in the controversial film Death Wish (also directed by Winner), about an architect turned vigilante, a role that typified most of the characters he played for the rest of his career. Most critics initially panned the film as exploitative, but the movie was a major box-office success and spawned four sequels.